Jan. 16, 2024

What Can We Learn From Drag Queens?

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In this episode of Talking Hospitality, we delve into the fascinating world of drag and what lessons the hospitality industry can learn from them.

Summary

The Covid-19 pandemic had a devastating impact on the drag queen community, with performers losing their primary source of income.

Many drag queens turned to digital platforms to perform for their fans, but it wasn't always enough to make ends meet.

As the pandemic continued, drag queens found new ways to adapt, such as starting their own businesses or hosting outdoor events. The drag scene has evolved over the years, especially with the influence of RuPaul's Drag Race.

During lockdown, drag queens used social media to create content and connect with their audience. Advice for those going through difficult times includes finding joy every day, surrounding yourself with good people, and maintaining a positive attitude.

Whilst lockdown seems a distant memory, how are Drag Performers managing now?

To help answer this question hosts Timothy R Andrews, Tracey Rashid, and Sarah Kettel explore the resilience and creativity of drag artists and the challenges they face.

They are joined by the effervescent drag performers Mary O'Kart, Stephanie Von Clitz, and Linda Bacardi in one of our most of the wall episodes yet.

Takeaways

  • The Covid-19 pandemic had a devastating impact on the drag queen community, with performers losing their primary source of income.
  • Drag queens turned to digital platforms to perform for their fans, but it wasn't always enough to make ends meet.
  • Drag queens found new ways to adapt during the pandemic, such as starting their own businesses or hosting outdoor events.
  • The drag scene has evolved over the years, especially with the influence of RuPaul's Drag Race.
  • During lockdown, drag queens used social media to create content and connect with their audience.
  • Advice for those going through difficult times includes finding joy every day, surrounding yourself with good people, and maintaining a positive attitude.

Titles

  • The Evolution of the Drag Scene
  • Using Social Media to Connect with Fans

Sound Bites

  • "The Covid-19 pandemic has had a devastating impact on the drag queen community."
  • "Drag queens found new ways to adapt, such as starting their own businesses or hosting outdoor events."
  • "Drag started as a necessity centuries ago when plays needed female characters, but they were played by men."

Chapters

00:00 The Impact of Covid-19 on the Drag Queen Community

02:05 Adapting and Finding New Ways to Perform

05:43 The Evolution of the Drag Scene

08:06 Using Social Media to Connect with Fans

11:56 Surviving and Continuing to Perform During Lockdown

20:50 Supporting local drag artists

25:12 The power of drag in bringing joy and inclusivity

26:07 Advice for those facing difficult situations

Speaker:

The COVID-19 pandemic has had a

devastating impact on the drag queen

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community.

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With bars and clubs closed for months on

end, performers lost their primary source

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of income.

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Many were forced to find new jobs or rely

on government assistance.

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In the early days of the pandemic, some

drag queens turned to digital platforms to

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perform for their fans.

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They hosted virtual drag shows, sold

merchandise online and even streamed their

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lives on social media.

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However, these efforts were not always

enough to make ends meet.

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And as the pandemic dragged on, many drag

queens found new ways to adapt.

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Some started their own businesses, such as

makeup tutorials or drag weave fitness

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classes, others turned to teaching or

writing.

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And still others found new ways to

perform, such as hosting drag branches or

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performing at outdoor events.

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As things have reopened, we want to find

out what drag queens are doing now.

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Have things returned to normal or have

things changed?

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you

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Welcome to a very special edition of

Talking Hospitality with two T's and a

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catel.

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I'm Timothy R.

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Andrews and I'm delighted to share that we

have a full house today.

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I'm joined by my wonderful co-hosts, the

delightful Tracy Rashid and the fabulous

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Sarah Catel.

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We have quite a spectacle lined up for

today.

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A round table discussion with three

immensely talented and vivacious drag

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queens.

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From Flynn Burge, aka Linda Bacardi, Harry

Casella,

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aka Mario Kart and Steven Maugham aka

Stephanie Von Keats.

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We're here courtesy of the Brighton Box

Gallery who are sponsoring today's event.

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The Brighton Box is an LGBTQ plus owned

award winning art gallery in the heart of

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the lanes, Brighton.

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Whatever your preferred style of art, the

Brighton Box Gallery is able to offer a

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wide range of unique and local artists at

thebrightonbox.com.

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Excited to have you all here with us

today?

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So let's start from the very beginning.

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So what we want to know is what inspired

you to get into drag or let's use drag as

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a verb here.

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Why do you drag?

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Let's start with Flynn.

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I was inspired to be honest.

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I've been doing drag for about 50 years.

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I started with the likes of Lily Savage

and whatever you started at the Black Cap

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in Camden.

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And I used to do websites with the likes

of Sandra and Titi Lacam, Boy George

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Experience, some of which are still on the

scene now.

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and being quite technical and whatever

you.

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And then one day I got asked to join in on

the drug amateur dramatics group called

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the Drama Queens.

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And that inspired me to take it up full

time.

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And then I turned from just somebody enjoy

putting makeup on, being a man in a dress.

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It was an evolution and then I became a

drug week.

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And 15 years later, she's still doing it.

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Amazing.

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Good way back then.

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Oh yeah, yeah.

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Here goes my name.

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How about you Harry or Shagami Mary?

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You can call me everyone darling.

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Someone's calling me.

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So I started doing a lockdown.

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Before lockdown happened, I was a dancer

on cruise ships for like five years.

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And then the pandemic put a halt to that

because nothing could happen.

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So I basically came home and was like, I'm

over dancing on cruise ships.

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I wanted to try something else.

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And I've always been a huge fan of drag

and thought, well, I'll just give it a go.

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Screw it.

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Let's try it.

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So I spent most of lockdown watching

tutorials.

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learning about drag, going to see these

two wonderful people here.

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I saw many shows, you too.

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I believe we worked together.

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Yes, we have.

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Yeah, we have.

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Watching and learning from what the queens

are doing on the scene and kind of molding

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myself and, you know, taking bits and

pieces from everywhere, like a jigsaw and

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kind of figuring out what I wanted to do

and just taking inspiration from

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everywhere and I do it because not to like

keep it on brand, but you know, it's Super

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Mario takes a magic mushroom or like, he

gets big.

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That's how I feel.

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When I do drag, like it's like I've taken

like that super mushroom or that superstar

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and you're just living your best life.

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So I do it because nothing compares to

that feeling when you're on stage and

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drag, like nothing compares to it.

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So that's why I do it and how I got into

it.

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And Stephanie.

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So for me, I started 12 years ago this

year.

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I was mentored by a drag queen called Bet

Rinse.

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And I did a guest spots at halfway to

heaven every Tuesday.

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My first residency was at the Adbal Duncan

in Soho.

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Mitchie have gone from there.

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Then I moved to Brighton, did a guest spot

at the Queens arms with Cosmic.

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And it all kind of evolved from that

point.

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And yeah, I mean, it's an honor to give

back to the scene as well, because what we

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do is we have an open mic night at the

Marine Tavern every Sunday, which

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encourages new artists to come and have a

go, just do it and.

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If it works, it works.

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If it doesn't just keep on going.

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And for me, I think drag is obviously a

complete art form in itself.

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The message that you can leave a crowd

with is always very powerful because you

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should always utilize your own voice and

carry that forward.

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Thanks for bringing your voices to our

show.

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In case some of our listeners, and they

might, because we know some of our

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listeners, don't have a clue what drag is.

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Here is a very brief history.

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Drag actually started as a necessity

centuries ago when plays needed female

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characters, but they were played by men.

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God forbid women should be allowed to

perform for a liling in the 17th century.

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In fact, it's thought to be called drag

because of the long dresses worn by the

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actors and their dresses dragged on the

ground.

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The times have changed and thank goodness

that this is now an art form, not female

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impersonation.

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And it's a whole lot more than that.

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And it's adored now in the mainstream and

there's a staple of the entertainment

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offering within hospitality venues across

the UK.

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So we've talked about history, but what is

drag for you?

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And I'm going to start with Stephanie.

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So drag for me, I touched on it briefly

earlier on, like Mary said, as well.

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It's very electric, that feeling when you

have on stage, if you know that you have a

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room he was engaging with you, there's no

better feeling.

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I think one of my

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favorite moments actually is when it comes

to I say festivals, but pride, because

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it's the message behind everything.

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And, you know, again, you have to push

that message to everyone and I'm not

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pushing it in forcing it upon someone.

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It's giant.

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Yes.

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And it's, and it's just the respect behind

everything and making sure everyone's

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included.

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I can't see myself doing anything else

now.

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It's great.

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I mean, 12 years in, I'll be like 80s, you

know, I'll last that long, but you know,

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who knows?

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A change now, isn't it?

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Well, you know, you know, you know.

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And no offence, Linda.

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Wait, you know.

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Says the 50 year old wild card in the

room.

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What are you, Harry?

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I'm Mary.

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Ethan's fine, darling.

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I think drag for me is just expression.

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And whether that's expression of gender,

whether that's expression of arts, whether

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that's expression of creativity, to me, I

don't think drag has one definition.

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I think it's evolved.

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so exponentially now that there isn't, you

can't define what it actually is.

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I know obviously you touched on what

you're saying about what it used to mean

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or in theory used to mean back then, but I

just think like, to me it is just

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expression and it's whether, whatever that

encapsulates, whatever you want that to

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mean in your own drag, that to me is drag.

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You know, you can get glamorous queens,

their whole thing is pageant style of

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drag, you can get gender non-conforming

drag, you can get...

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To me, everything is drag really.

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Like, I know not to quote RuPaul, but all

born naked and the rest is drag.

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That to me actually really resonates

because everything is like, everything is

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just, we put on clothing and we fit, you

know, you express yourself in what you're

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wearing now.

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Every one of us is expressing something.

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So to me that is drag.

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Yeah, it's just expression of everything.

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Is that famous saying all drag is valid?

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Correct.

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I agree.

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And I love that word expression as well.

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because everyone can express themselves.

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Exactly.

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There's no right or wrong.

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Exactly.

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It's just how you express yourself.

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And drag is just like in the traditional

sense of it, it's just exaggerated

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expression.

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But it is an art form of 12.

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Absolutely.

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An art form of, and it's having, you know,

it's a form of expression.

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Yeah.

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An individual.

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So Linda, you've done this for 15 years,

Slemmon, you've done this for 12.

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Have you seen the drag scene change over

the last decade or so?

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Definitely evolved.

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definitely changed for the better, I

think, because we started before RuPaul's

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Drag Race came along.

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And now it's encouraged a lot of people,

because it's been in the mainstream a lot

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more, to do it.

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And I think that can only be a positive

thing.

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To have the courage to even get on a stage

and to be inspired or influenced by other

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people, certainly now.

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And years ago, there were matriarchs who

paved the way, and that should never be

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forgotten either.

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So it's different times, but again, there

are queens who have done it for years who

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will always help newer artists like myself

and others, give it back, help and

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encourage because if you don't, it'll go.

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Yeah.

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I mean for myself, I'm a child of the 70s

and I was brought up watching the likes of

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the two Ronnies and Littlen and Large and

Les Dawson, Larry Grayson.

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Some of them were quite bad gay

stereotypes because of the climate.

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the legal climate there was then, but

there was also a lot, you know, so Kenneth

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Williams, there was also a lot of, uh,

just circulation and, uh, you know,

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exaggeration, pomp and ceremony where I

got my inspirations from was watching all

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that sort of laughter, variety,

expression.

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And then that took me on a journey when I

was a DJ in my twenties and in my youth.

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And then that went on to me in my thirties

learning about drag, you know, I'm now 50,

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where I started and I look at the pardon

if this sounds condescending, it's not

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meant to an end.

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I see the new age of drag now.

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There's an old school, there's a new

school, there's a new school, there's an

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old school.

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There might be those queens from an older

generation such as myself, some more

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established than others, that will

criticize the young style of drag.

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All the new schools, shall we say.

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But I know that it's an evolution.

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Love or hate.

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RuPaul's Drag Race, but it inspires

people.

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And as long as somebody takes something

from it and makes it their own, if you

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00:10:38,351 --> 00:10:42,513

copy it, you copy it and just put a

lipstick on a mime to a Whitney Houston

215

00:10:42,513 --> 00:10:44,813

song and think, drag queen, that's not my

thing.

216

00:10:44,813 --> 00:10:48,754

But if you take something from it, make it

your own and you're inspired from it and

217

00:10:48,754 --> 00:10:51,055

then you perform and you can entertain.

218

00:10:51,055 --> 00:10:51,695

I'm all for that.

219

00:10:51,695 --> 00:10:54,556

That's the art and the creativity.

220

00:10:54,996 --> 00:10:57,297

Really incredible, isn't it?

221

00:10:57,297 --> 00:11:00,042

And I think the normalising of the

acceptance as well, I think.

222

00:11:00,042 --> 00:11:04,685

One of the best things that I've seen just

in my personal life was my nephew.

223

00:11:04,685 --> 00:11:06,586

Absolutely loved Dracarys when it came

out.

224

00:11:06,586 --> 00:11:08,868

He was about eight at the time.

225

00:11:09,088 --> 00:11:13,071

And it got to the point where when it came

on the telly when it was on Saturdays or

226

00:11:13,071 --> 00:11:18,415

whatever, he would literally run to mum's

closet, get a pair of high heels and

227

00:11:18,415 --> 00:11:20,316

around the living room while it was on.

228

00:11:20,597 --> 00:11:24,060

Which I think is the most beautiful thing

because if you think back to, you know,

229

00:11:24,060 --> 00:11:26,814

when you were young, Flynn, would boys

have been able to do that?

230

00:11:26,814 --> 00:11:31,337

Obviously, I mean, this is an audio

experience, but occasionally on my

231

00:11:31,337 --> 00:11:34,499

Facebook, there's a picture of me when I

was eight years old and Stephen Hymne was

232

00:11:34,499 --> 00:11:37,882

seeing me when I was eight years old and

my next door neighbor dressed me in her

233

00:11:37,882 --> 00:11:38,122

dress.

234

00:11:38,122 --> 00:11:41,324

Is it a balloon?

235

00:11:41,324 --> 00:11:44,646

Ray and Judy Garland pinny on and

whatever.

236

00:11:44,666 --> 00:11:47,188

It's really flock wallpaper behind me.

237

00:11:47,188 --> 00:11:48,889

It's very sort of 1979.

238

00:11:50,230 --> 00:11:51,832

That's the only one that's got me in a

trip.

239

00:11:51,832 --> 00:11:56,435

I can pitch in this gallery as a postcard.

240

00:11:56,435 --> 00:11:57,356

That sounds amazing.

241

00:11:57,356 --> 00:11:58,356

What an image.

242

00:11:58,597 --> 00:11:59,718

Amazing.

243

00:11:59,858 --> 00:12:04,621

How did the lockdown affect you and how

did you survive during this period?

244

00:12:07,998 --> 00:12:13,519

Undoubtedly, the COVID-19 pandemic posed

major challenges for performers worldwide.

245

00:12:13,839 --> 00:12:18,521

How did the lockdown affect you and how

did you survive during this period when

246

00:12:18,521 --> 00:12:19,561

going to marry?

247

00:12:20,061 --> 00:12:24,743

I was addicted to TikTok.

248

00:12:24,743 --> 00:12:26,844

I just use that as a bit of an outlet.

249

00:12:26,844 --> 00:12:28,664

I used to just do home workouts.

250

00:12:28,664 --> 00:12:30,965

That's when I kind of started dabbling

into drag as well.

251

00:12:30,965 --> 00:12:32,906

So I kind of used social media for that.

252

00:12:32,906 --> 00:12:35,708

I drank my own body weighting wine every

day.

253

00:12:35,708 --> 00:12:38,130

Just been watched so much TV.

254

00:12:38,130 --> 00:12:41,574

Yeah, I mean, for me, I just kind of, it

was the time that I was experimenting with

255

00:12:41,574 --> 00:12:41,894

drag.

256

00:12:41,894 --> 00:12:44,677

So a lot of my time in COVID was focused

on that.

257

00:12:44,677 --> 00:12:48,500

So if the pandemic didn't happen, do you

think you'd have had the opportunity to

258

00:12:48,500 --> 00:12:49,081

focus on drag?

259

00:12:49,081 --> 00:12:50,082

I don't think so.

260

00:12:50,082 --> 00:12:53,505

I honestly don't think so because I think

I was in the cruise ship career mind.

261

00:12:53,505 --> 00:12:56,688

So it was just contract after contract,

after contract, after contract.

262

00:12:56,688 --> 00:12:59,089

I don't think it would have happened.

263

00:12:59,122 --> 00:13:00,043

I've always had a love for it.

264

00:13:00,043 --> 00:13:02,665

I just don't think I've had time to solely

focus on it.

265

00:13:02,665 --> 00:13:04,066

So who knows?

266

00:13:04,066 --> 00:13:06,568

I just don't think it would have.

267

00:13:06,568 --> 00:13:07,449

Why you guys?

268

00:13:07,449 --> 00:13:08,309

Ladies.

269

00:13:10,832 --> 00:13:14,015

So for me, it was a bit of a surreal time.

270

00:13:14,015 --> 00:13:16,116

I lived above a pub at the time.

271

00:13:16,156 --> 00:13:18,738

So we were literally locked in there for

that all of lockdown.

272

00:13:18,859 --> 00:13:21,841

That was quite weird, but luckily we had a

rooftop.

273

00:13:22,242 --> 00:13:25,785

So we can literally like get a bit of

space.

274

00:13:25,785 --> 00:13:26,978

I remember once we were like,

275

00:13:26,978 --> 00:13:30,240

peeping out the windows if you're watching

TV downstairs having a roast dinner being

276

00:13:30,240 --> 00:13:32,181

like, oh my God, I'm just going to know

we're in here.

277

00:13:32,181 --> 00:13:38,225

That was really crazy.

278

00:13:38,225 --> 00:13:41,067

And I did quite a few online shows.

279

00:13:41,067 --> 00:13:44,690

I got involved with the Drag Choir that

thanked the NHS workers.

280

00:13:44,690 --> 00:13:45,450

That was really good.

281

00:13:45,450 --> 00:13:47,712

A lot of pre-recorded stuff was done.

282

00:13:47,772 --> 00:13:52,055

I had the police called on me twice whilst

doing online shows because we were allowed

283

00:13:52,055 --> 00:13:53,736

to have a smoke machine blaring.

284

00:13:53,736 --> 00:13:55,037

I don't know why, but I pressed it.

285

00:13:55,037 --> 00:13:56,197

I was a bit too...

286

00:13:56,270 --> 00:14:01,372

ego and then I opened the door, it was

like stars in your eyes coming out.

287

00:14:01,372 --> 00:14:03,093

Yeah, it was very weird.

288

00:14:03,434 --> 00:14:07,356

But it was a time to get proactive.

289

00:14:07,356 --> 00:14:10,838

Certainly, you know, if things came along,

I'd jump at it.

290

00:14:10,838 --> 00:14:12,879

Raising money online, like trying to

survive.

291

00:14:12,879 --> 00:14:13,479

It wasn't great.

292

00:14:13,479 --> 00:14:16,461

I got the self-employment grants, all of

them.

293

00:14:16,461 --> 00:14:18,222

Luckily others didn't.

294

00:14:18,222 --> 00:14:21,163

It was very, very stressful trying to even

apply for that.

295

00:14:21,163 --> 00:14:23,304

But I was very grateful that I could get

it.

296

00:14:23,685 --> 00:14:24,765

It was crazy.

297

00:14:25,398 --> 00:14:27,361

you know, we got through it and...

298

00:14:27,361 --> 00:14:27,982

Came out very quickly.

299

00:14:27,982 --> 00:14:28,903

Yes, absolutely.

300

00:14:28,903 --> 00:14:29,244

Yeah.

301

00:14:29,244 --> 00:14:36,075

I mean, I think it was a chance to

re-evaluate and just horrendous for other

302

00:14:36,075 --> 00:14:37,857

workers, let alone performers.

303

00:14:38,399 --> 00:14:40,481

It feels just about back to normal.

304

00:14:42,262 --> 00:14:45,463

Before American listeners, because we do

have some, what are self-employment

305

00:14:45,463 --> 00:14:46,424

grants?

306

00:14:46,684 --> 00:14:50,686

So self-employment grants, basically it

was like a loan that you were going to pay

307

00:14:50,686 --> 00:14:57,490

back for sub-employed performers to

survive for living costs, food costs,

308

00:14:57,490 --> 00:14:58,190

whatever.

309

00:14:58,190 --> 00:15:03,053

And I think they were basing on different

salaries that you would submit for your

310

00:15:03,053 --> 00:15:03,933

tax return.

311

00:15:03,933 --> 00:15:06,435

And that's how they were basing what they

were giving out to people.

312

00:15:06,435 --> 00:15:10,757

Well, two sides to our employment before

and during lockdown.

313

00:15:10,757 --> 00:15:11,466

So.

314

00:15:11,466 --> 00:15:16,067

since moving down here, as well as doing

bits and pieces of drag at weekends, some

315

00:15:16,067 --> 00:15:19,488

bits in Brighton and some bits out of

Brighton.

316

00:15:19,488 --> 00:15:23,589

I was also a carer through the early

liberal dementia and actually worked in a

317

00:15:23,589 --> 00:15:26,990

care facility nearby here in Brighton, New

South 6th.

318

00:15:27,170 --> 00:15:34,752

With the two main parts of UK's COVID,

shall I say, in between the two, my

319

00:15:34,752 --> 00:15:39,293

husband worked at the NHS, so he couldn't

work in his environment.

320

00:15:39,293 --> 00:15:40,566

He was a manager.

321

00:15:40,566 --> 00:15:42,466

data procurement up in London.

322

00:15:42,486 --> 00:15:48,268

So he had to work from home and I was

working in a care home and all of a sudden

323

00:15:48,268 --> 00:15:53,209

I had to stop working in a care home

because sadly my husband passed away.

324

00:15:53,229 --> 00:15:58,511

It was and still is a bit of a journey,

but what it will save for drag for me

325

00:15:58,651 --> 00:16:02,972

during the second half, you know, I've

always been quite technically minded and I

326

00:16:02,972 --> 00:16:07,073

bought a green screen and when we were

allowed to even step around and we, we

327

00:16:07,073 --> 00:16:08,173

would do these.

328

00:16:08,462 --> 00:16:12,784

Skype, but something, you know, these sort

of online chats and then I'd upload them

329

00:16:12,784 --> 00:16:18,167

on Facebook with certain tracks, you know,

Warner Chapel music and all that kind of

330

00:16:18,167 --> 00:16:18,287

thing.

331

00:16:18,287 --> 00:16:22,670

For me, what I'm coming out of it

actually, from somebody who's still coming

332

00:16:22,670 --> 00:16:26,352

out the other end, but still suffering

grief of what I've found of the drag for

333

00:16:26,352 --> 00:16:29,433

me, not a facade, but it empowers me.

334

00:16:29,433 --> 00:16:33,396

It gives me a chance to know what I do

actually, makes me feel better about

335

00:16:33,396 --> 00:16:37,417

myself and if I can entertain other

people, then all the better.

336

00:16:37,458 --> 00:16:40,620

I think also whilst doing the online

shows, a lot of people were commenting

337

00:16:40,620 --> 00:16:43,142

saying like, thank you for getting us

through, thank you for helping.

338

00:16:43,142 --> 00:16:47,106

Like it was a distraction for them just to

watch something because it got a little

339

00:16:47,106 --> 00:16:48,607

bit mundane, didn't it?

340

00:16:48,607 --> 00:16:50,389

Like just sat in them doors all the time.

341

00:16:50,389 --> 00:16:53,892

And then when they said you allowed

certain amounts of exercise, I mean...

342

00:16:53,892 --> 00:16:59,176

Let them go for a walk.

343

00:16:59,176 --> 00:17:01,257

Yes, let's jog on the spot.

344

00:17:03,682 --> 00:17:06,063

You're American listeners, obviously.

345

00:17:06,063 --> 00:17:09,764

Be very, very familiar with RuPaul's Drag

Race coming out of that.

346

00:17:09,764 --> 00:17:16,047

I mean, UK Season 1, I acted Molda Wanda's

paperwork filling in for Bag of Chicks.

347

00:17:16,047 --> 00:17:18,968

And then, no, this is an entirely true

story.

348

00:17:18,968 --> 00:17:21,029

Me and Bag go, oh, go way back.

349

00:17:21,029 --> 00:17:24,330

Not like that, but yes, we've been good

friends for a very long time.

350

00:17:24,370 --> 00:17:27,911

And then coming out of lockdown and

everything else, still having the green

351

00:17:27,911 --> 00:17:32,473

screen, I had the honor of being able to

record.

352

00:17:32,513 --> 00:17:33,214

Lovely.

353

00:17:33,214 --> 00:17:37,539

Miss Clit for season two and you got quite

far with that, didn't you?

354

00:17:37,539 --> 00:17:37,979

Yeah.

355

00:17:37,979 --> 00:17:38,500

Yes.

356

00:17:38,500 --> 00:17:39,280

Wow.

357

00:17:39,441 --> 00:17:40,682

I gave it a go.

358

00:17:40,682 --> 00:17:44,406

I'm a very trying woman.

359

00:17:50,914 --> 00:17:54,377

See, what I love about that is, we were

saying how things were quite repetitive.

360

00:17:54,726 --> 00:17:59,630

And you know, the TV we did watch, I mean,

we all completed Netflix, like it was

361

00:17:59,630 --> 00:18:01,051

gaming, I just watched everything.

362

00:18:01,051 --> 00:18:02,293

And there was no new TV being made.

363

00:18:02,293 --> 00:18:03,454

They just couldn't do it.

364

00:18:03,454 --> 00:18:06,796

But actually giving you guys that space to

then go on social media and create that

365

00:18:06,796 --> 00:18:11,720

content to bring, I mean, people like me,

basically just more of what I wanted.

366

00:18:12,862 --> 00:18:15,844

And loads of people felt like that, you

know, what we serve through the media

367

00:18:15,844 --> 00:18:17,566

generally, there was a cutoff point.

368

00:18:17,566 --> 00:18:21,009

There was a certain amount of what you can

watch, an amount of what's being made.

369

00:18:21,009 --> 00:18:21,970

But actually.

370

00:18:21,970 --> 00:18:26,493

You guys then had that space to fill the

gaps that all of us wanted, I think, which

371

00:18:26,513 --> 00:18:27,774

was a gift.

372

00:18:27,774 --> 00:18:31,197

It is quite nice because Facebook has the

memories thing, doesn't it?

373

00:18:31,197 --> 00:18:31,598

Yeah.

374

00:18:31,598 --> 00:18:35,381

So some of the videos that I did

throughout Lockdown often pop up now.

375

00:18:35,381 --> 00:18:38,904

And I'm like, gosh, like there was one

green screen thing we had.

376

00:18:38,904 --> 00:18:41,286

It was like, I was like running through a

bloody roller coaster.

377

00:18:41,286 --> 00:18:44,809

It was nuts, but it was, yeah, it's nice

to have those kind of memories to look

378

00:18:44,809 --> 00:18:45,709

back on as well.

379

00:18:45,709 --> 00:18:49,793

So the three of us here, we have a good

friend called Mrs.

380

00:18:49,793 --> 00:18:51,094

Moore, John Moore.

381

00:18:51,094 --> 00:18:53,194

He was the best man at my wedding,

ironically.

382

00:18:53,194 --> 00:18:55,275

Brother from another mother.

383

00:18:59,296 --> 00:19:02,577

Yeah, we go way back and it was his kind

of thing.

384

00:19:02,677 --> 00:19:05,798

Even though he didn't have all the tech

kind of stuff and he only had an iPhone,

385

00:19:05,798 --> 00:19:10,179

which I got hold for him and some sort of

bits and pieces, which Shally Vape,

386

00:19:10,179 --> 00:19:11,359

Brighton Queen would do.

387

00:19:11,359 --> 00:19:16,241

Basically, he would do this kimono thing

where pretty much only dressed in his

388

00:19:16,241 --> 00:19:18,521

empress new clothes and some underwear.

389

00:19:18,521 --> 00:19:19,601

He'd wear this.

390

00:19:19,890 --> 00:19:36,134

No, no, no

391

00:19:49,810 --> 00:19:52,351

If you were doing it legally, you could

actually get some money from it.

392

00:19:52,351 --> 00:19:55,053

But even if it wasn't about the money, it

was about the sanity.

393

00:19:55,053 --> 00:19:57,374

Even if you're insane to do it.

394

00:19:57,374 --> 00:20:00,556

It's quite hard as a performer when you

don't have an audience.

395

00:20:00,556 --> 00:20:02,177

Exactly, it's the worst thing I've seen.

396

00:20:02,357 --> 00:20:03,118

Yeah.

397

00:20:03,118 --> 00:20:03,878

Very two-dimensional.

398

00:20:03,878 --> 00:20:05,039

You get in your head a bit.

399

00:20:05,039 --> 00:20:06,299

Yeah.

400

00:20:06,420 --> 00:20:10,002

It's quite funny because obviously you're

playing different personalities when

401

00:20:10,002 --> 00:20:11,263

you're on stage.

402

00:20:11,263 --> 00:20:15,305

And when you're talking to a computer

screen, your other personality, talking to

403

00:20:15,305 --> 00:20:16,365

people who are...

404

00:20:16,374 --> 00:20:21,315

just watching, you can't gauge a reply,

you can't gauge a laughter.

405

00:20:21,875 --> 00:20:23,776

That energy is missing isn't it?

406

00:20:23,776 --> 00:20:27,617

I think it was nice when you saw the

reactions and people putting love hearts

407

00:20:27,617 --> 00:20:29,757

and engaging with you.

408

00:20:29,757 --> 00:20:34,399

And then you end up saying hello to

multiple people like, hello so and so.

409

00:20:34,399 --> 00:20:39,340

And then you're like, oh I should do a

song now.

410

00:20:39,340 --> 00:20:43,561

It's clear that all of you are not only

immensely talented, but also incredibly

411

00:20:43,561 --> 00:20:44,402

resilient.

412

00:20:44,402 --> 00:20:47,112

Your stories have been truly inspiring and

enlightening.

413

00:20:47,112 --> 00:20:48,857

So thank you for sharing that with us.

414

00:20:50,742 --> 00:20:53,702

What would people do to support their

local drag ads?

415

00:20:54,723 --> 00:20:59,444

I think to support local drag is to just

go see local drag.

416

00:20:59,444 --> 00:21:04,325

Obviously with the success of Drag Race,

everybody flocks to the Drag Race shows

417

00:21:04,325 --> 00:21:08,226

when these Drag Race queens are performing

and I go see them, they're great because

418

00:21:08,226 --> 00:21:09,707

they're still dragged.

419

00:21:09,707 --> 00:21:12,468

I'm intrigued to see what they can do off

of the show.

420

00:21:12,468 --> 00:21:16,869

But I think in terms of supporting local

queens is go and see local queens.

421

00:21:16,869 --> 00:21:19,629

Don't just flock to mainstream queens.

422

00:21:19,734 --> 00:21:24,816

This city is thankfully so rich with the

amount of drag that we have here.

423

00:21:24,916 --> 00:21:29,719

And you can go any night of the week here

in Brighton and to any of the bars and

424

00:21:29,719 --> 00:21:33,021

you'll see a drag show, whether it's a

bingo, whether it's a quiz, whether it's a

425

00:21:33,021 --> 00:21:34,401

full on cabaret.

426

00:21:34,561 --> 00:21:38,243

There's so much out there that you don't

need to just focus on the mainstream.

427

00:21:38,243 --> 00:21:41,725

Like, and I actually think this is

probably controversial, but I actually

428

00:21:41,725 --> 00:21:42,786

think it's better.

429

00:21:42,846 --> 00:21:47,348

I think a lot of the times just seeing

local drag is just better and seeing

430

00:21:47,348 --> 00:21:49,469

somebody that you've never heard of.

431

00:21:49,746 --> 00:21:52,287

you may never see again or you'll follow

them or whatever.

432

00:21:52,287 --> 00:21:53,708

I think that is the best thing.

433

00:21:53,708 --> 00:21:56,889

Like that is just, that to me is what true

British drag is.

434

00:21:56,889 --> 00:22:00,331

Like going to these pubs, going to these

nightclubs, seeing that, that to me is

435

00:22:00,331 --> 00:22:01,052

British drag.

436

00:22:01,052 --> 00:22:02,833

And, you know, I utilize social media.

437

00:22:02,833 --> 00:22:06,374

I know a lot of us do follow them on

social media, see what they're doing, buy

438

00:22:06,374 --> 00:22:10,857

merchandise, you know, if they stream a

song or release a song, go and, you know,

439

00:22:10,857 --> 00:22:12,337

support in that way.

440

00:22:12,338 --> 00:22:15,519

But I think the main thing is to just go

and see them.

441

00:22:15,639 --> 00:22:16,260

And talk to us.

442

00:22:16,260 --> 00:22:17,480

We all talk after shows.

443

00:22:17,480 --> 00:22:18,201

Yeah.

444

00:22:18,201 --> 00:22:19,901

We all talk and we're not.

445

00:22:19,926 --> 00:22:23,327

I don't think anyone here in the city

particularly is a diva that's done and

446

00:22:23,327 --> 00:22:23,788

that's it.

447

00:22:23,788 --> 00:22:24,628

And then they walk off.

448

00:22:24,628 --> 00:22:26,249

We probably are all pissed with you after.

449

00:22:26,249 --> 00:22:30,191

We're about to be on it.

450

00:22:30,191 --> 00:22:31,652

No, and I think that's another thing.

451

00:22:31,652 --> 00:22:33,073

Don't be afraid to talk to us.

452

00:22:33,073 --> 00:22:34,854

Like we're not monsters.

453

00:22:34,854 --> 00:22:37,835

Like come in with human beings and talk to

us.

454

00:22:37,835 --> 00:22:39,196

We're exactly the same as you.

455

00:22:39,196 --> 00:22:43,158

Like, I think it is, like you say, just

encouraging everyone and like going to see

456

00:22:43,158 --> 00:22:43,678

people.

457

00:22:43,678 --> 00:22:49,161

And obviously the venues that we perform

in needs an audience.

458

00:22:49,161 --> 00:22:49,901

So.

459

00:22:50,322 --> 00:22:55,103

use it or lose it because once venues

start going and artists can't perform,

460

00:22:56,344 --> 00:22:56,744

what can we do?

461

00:22:56,744 --> 00:22:58,285

Yeah, we're in a central cog in the wheel.

462

00:22:58,285 --> 00:22:59,586

Yeah, yeah.

463

00:22:59,586 --> 00:23:01,066

A cog in the wheel, a cog in the machine.

464

00:23:01,066 --> 00:23:03,407

Yeah, yeah.

465

00:23:03,407 --> 00:23:09,190

And entertainment, whether it be drag,

singers, bands, does bring in crowds.

466

00:23:09,190 --> 00:23:09,290

Yeah.

467

00:23:09,290 --> 00:23:12,891

If people are spending, it helps the venue

out and it helps the artists out.

468

00:23:12,891 --> 00:23:14,732

And we do it so well, don't we, as a

nation?

469

00:23:14,732 --> 00:23:17,653

I always think that whenever I go and see

something live, not something that's, you

470

00:23:17,653 --> 00:23:18,110

know,

471

00:23:18,110 --> 00:23:21,633

necessarily big stadium vibe, but whenever

I go to something that's fairly local or

472

00:23:21,633 --> 00:23:22,693

just at a theatre, I'm like, we're so

good.

473

00:23:22,693 --> 00:23:26,617

Yeah, we're so good at it.

474

00:23:26,617 --> 00:23:28,498

And the diversity of it as well.

475

00:23:28,498 --> 00:23:30,240

Oh yeah, absolutely.

476

00:23:30,240 --> 00:23:33,042

I mean, I love a festival vibe, but

there's nothing better than going to a

477

00:23:33,042 --> 00:23:39,247

very intimate space to see a show that it

feels like you have more of a connection.

478

00:23:39,247 --> 00:23:43,891

It's nice, it's really nice, you know, and

you feel something and that's great.

479

00:23:43,891 --> 00:23:46,774

I've known sign language for about 20

years.

480

00:23:46,774 --> 00:23:53,395

And I recently had the opportunity through

just signing a number in a drag show a few

481

00:23:53,395 --> 00:23:54,796

years ago, pre-COVID.

482

00:23:54,796 --> 00:23:57,577

And then somebody said, Oh, would you do

Worthing Pride?

483

00:23:57,577 --> 00:23:58,737

Would you do Seaford Pride?

484

00:23:58,737 --> 00:24:00,137

Would you do Southampton Pride?

485

00:24:00,137 --> 00:24:01,098

Great young.

486

00:24:01,098 --> 00:24:03,018

So now I'm actually a signer.

487

00:24:03,018 --> 00:24:04,979

I do it in drag most of the time.

488

00:24:04,979 --> 00:24:06,239

It's so casual.

489

00:24:06,239 --> 00:24:08,140

And I love doing it.

490

00:24:08,140 --> 00:24:14,341

And that was actually one of the things

that helped me, should we say, mentally.

491

00:24:15,586 --> 00:24:18,087

disability inclusivity basis.

492

00:24:18,087 --> 00:24:22,410

I'm epileptic and for me to, I'm stood on

the stage and it wouldn't, if you've got a

493

00:24:22,410 --> 00:24:26,914

huge field of people wouldn't matter

whether it was three people or 300 that

494

00:24:26,914 --> 00:24:30,996

were deaf and ambitio or hard of hearing

in, you know, in that field.

495

00:24:30,996 --> 00:24:34,759

I was at Southampton once and I was doing

Bad to the Devil You Know by Kylie and

496

00:24:34,759 --> 00:24:35,720

sign language.

497

00:24:35,720 --> 00:24:40,143

And then I spot it because of their body

language, three deaf gay chaps, the corner

498

00:24:40,143 --> 00:24:42,925

and they're going, I'm illustrating with

my hands.

499

00:24:44,174 --> 00:24:47,636

thank you for enjoying yourselves and

British Sign Language to me.

500

00:24:47,677 --> 00:24:52,241

Shortly after bereavement I suffered, I

was just, I had to go stage-fighting this

501

00:24:52,241 --> 00:24:53,903

kind of thing, pulling my own self.

502

00:24:53,903 --> 00:24:58,046

And if something like, the gift that I've

got, whether it be doing Dragon singing

503

00:24:58,046 --> 00:25:02,070

songs or whether doing Dragon signing to

them, if something I can do gives

504

00:25:02,070 --> 00:25:06,934

something back, they'll appreciate what we

all do at home.

505

00:25:07,455 --> 00:25:09,197

It's fulfilling.

506

00:25:09,197 --> 00:25:10,537

It really is fulfilling.

507

00:25:12,182 --> 00:25:13,562

One more question for you, though.

508

00:25:13,562 --> 00:25:15,082

Do you ever embellish?

509

00:25:15,122 --> 00:25:17,583

Do you directly translate or do you add a

few extras?

510

00:25:17,583 --> 00:25:22,124

No, depending on context, I might have to

find a keyword and build around.

511

00:25:22,124 --> 00:25:27,206

You know, I was going to say find context,

but no, I mean, it's only a family event.

512

00:25:29,287 --> 00:25:34,428

There are certain V words and C words and

other words that we couldn't possibly

513

00:25:34,428 --> 00:25:36,609

mention on air, let alone in a field.

514

00:25:40,962 --> 00:25:42,943

Thank you for sharing your experiences.

515

00:25:42,943 --> 00:25:46,706

It's really important, but we do know that

there are people listening that might

516

00:25:46,706 --> 00:25:51,449

still construct me, might be going through

some difficult situation themselves.

517

00:25:51,449 --> 00:25:54,031

What advice would you give to them?

518

00:25:54,031 --> 00:25:56,673

I want to start with you, my right wing

and you being Mary.

519

00:25:56,673 --> 00:25:59,976

Find something joyful every single day.

520

00:25:59,976 --> 00:26:05,540

Find joy in something, whether it's, I

don't know, cutting your nails.

521

00:26:05,540 --> 00:26:07,618

I don't care whether it's like, I don't

know.

522

00:26:07,618 --> 00:26:12,019

having a shower, find the joy in at least

one thing you do every day.

523

00:26:12,019 --> 00:26:17,720

And if you start to build on that as like

a daily manifestation, it will translate

524

00:26:17,720 --> 00:26:19,161

to a free day life.

525

00:26:19,161 --> 00:26:25,142

So find something that makes you happy,

that brings you joy, something you love.

526

00:26:25,303 --> 00:26:27,643

Whether, you know, you're the type of

person that being charitable makes you

527

00:26:27,643 --> 00:26:31,344

happy and you want to give back to

something or someone, whatever it is, it

528

00:26:31,344 --> 00:26:35,745

can be so mind you, just find joy every

single day and

529

00:26:35,902 --> 00:26:38,642

it will manifest into such a bigger thing.

530

00:26:38,682 --> 00:26:41,503

It's something about positivity, I think.

531

00:26:41,503 --> 00:26:45,324

No matter what hardships you face at the

end of the day, you find something you're

532

00:26:45,324 --> 00:26:50,646

good at or find something that interests

you, take it, harness it, and just hold

533

00:26:50,646 --> 00:26:56,167

onto it and feed off of it, but to know

this can make me feel better about myself.

534

00:26:56,267 --> 00:26:59,008

And that's what I do every day.

535

00:26:59,008 --> 00:27:01,809

I'd always say never feel like you're

alone.

536

00:27:01,809 --> 00:27:04,169

Always make sure you have good people

around you.

537

00:27:04,478 --> 00:27:08,860

always communicate where you can, always

remember that things always will get

538

00:27:08,860 --> 00:27:09,740

better.

539

00:27:10,021 --> 00:27:14,363

If you have a positive outlook, it's like

when you talk and you smile, you have that

540

00:27:14,383 --> 00:27:16,204

automatic response.

541

00:27:16,364 --> 00:27:20,946

If you just have that positive attitude,

things will always happen for the good.

542

00:27:21,267 --> 00:27:24,108

That's my philosophy and I always stick by

it.

543

00:27:24,108 --> 00:27:25,569

Positiveity is key.

544

00:27:25,569 --> 00:27:26,770

Negativeity never helps.

545

00:27:26,770 --> 00:27:32,853

I know, and as much as sometimes some

people, they can find it hard to find

546

00:27:32,853 --> 00:27:34,026

positivity.

547

00:27:34,026 --> 00:27:39,370

look around, look around you, you know,

find inspiration at the end of the day.

548

00:27:39,370 --> 00:27:40,851

Life's too short.

549

00:27:40,851 --> 00:27:42,272

And we all have off days.

550

00:27:42,272 --> 00:27:45,115

That's just human nature, but just always.

551

00:27:45,115 --> 00:27:46,296

Don't make it all the time.

552

00:27:46,296 --> 00:27:53,862

There's one popular drag queen says, can I

get an amen up in here?

553

00:27:53,862 --> 00:27:56,124

Your passion for the art of drag is

infectious.

554

00:27:56,124 --> 00:27:58,566

So thank you all for sharing your

experiences and for adding a touch of

555

00:27:58,566 --> 00:28:01,128

glamour and glitter to our show today.

556

00:28:01,128 --> 00:28:02,589

We did, we did have someone in drag

earlier.

557

00:28:02,589 --> 00:28:03,809

That's why we're saying.

558

00:28:07,063 --> 00:28:08,644

Mary was looking way fabulous.

559

00:28:08,644 --> 00:28:10,125

Yes, I am now.

560

00:28:10,125 --> 00:28:11,606

Putting a sword to shame.

561

00:28:11,606 --> 00:28:12,186

Still fabulous.

562

00:28:12,186 --> 00:28:17,429

And there's Ninja and I like Death Becomes

her.

563

00:28:19,390 --> 00:28:23,712

Thank you, Flynn, Harry and Stephen for

joining us on this episode.

564

00:28:23,853 --> 00:28:28,255

And a huge thank you to our listeners for

tuning in to Talking Hospitality with two

565

00:28:28,255 --> 00:28:29,696

T's and a catelle.

566

00:28:29,776 --> 00:28:33,158

We hope you enjoyed this journey into the

world of drag as much as we did.

567

00:28:33,314 --> 00:28:37,883

Don't forget to subscribe on your

favourite podcast platform and leave a

568

00:28:37,883 --> 00:28:42,733

review if it's nice and join us next time

as we continue to explore all things

569

00:28:42,733 --> 00:28:43,675

hospitality.

570

00:28:43,675 --> 00:28:45,037

Stay fabulous.

Mary O'Kart Profile Photo

Drag Artist

Mary O’Kart is a drag artist and powerhouse on the UK cabaret scene. She has performed at multiple prides around the country, has performed overseas in Bulgaria, has worked with brands such as ASOS and was a semi-finalist in the 2023 nationwide competition “Drag Idol”.

Stephanie Von Clitz Profile Photo

Drag Artiste

Stephanie Von Clitz known as the Dorset tart with a heart has been performing around the country and at many Pride events for the last 13 years, originally starting in London where she made her name she’s now living in Brighton. Stephanie is also an ambassador of the charity Cancer is a Drag.

As well as consistent work within the cabaret scene she has also performed in pantos, musicals and a few TV shows and looks forward to what the future holds for her career moving forward. Her most recent ahievement to date is being a co organizer of the Marine Tavern stage street party stage for brighton Pride which she will be entering her 9th year in 2024 doing.

Flynn Burge Profile Photo

Guest

Have been a drag queen for over 15 years. Previously I was a DJ in my twenties. I also work as a BSL (sign language) interpreter around the country.